Miku windows live wallpaper12/4/2023 One of the streets is known to have good acoustics which Hatsune Miku frequently sings at. As referenced in an area conversation, there are multiple secret alleys to enter and exit from. ![]() The Street SEKAI is a multiple-alleyway area with walls of graffiti and posters, some of which are old flyers for RAD WEEKEND. Kohane and An give their thanks for the singers' time, and leave. In the middle of introductions, An realizes that she left Weekend Garage unattended, forcing an end to their time together. While resting in the Crase Cafe and being explained of their situation, Kagamine Len bursts into the conversation complaining about Kagamine Rin. The girls are greeted by Hatsune Miku, followed by MEIKO, who came to investigate the area. While forming a set list of songs in a playlist, Kohane discovers a song without a title: "Untitled." Upon attempting to download the song, An and Kohane get transported to SEKAI. They also happen to meet BAD DOGS, Shinonome Akito and Aoyagi Toya, on the same day.Īkito invites Kohane and An to attend an event, both girls accept the offer. She agrees, thus forming their duo group, Vivids. An realizes the potential Kohane has when singing, inviting her to form a band in her dream to surpass a legendary music event dubbed RAD WEEKEND. After coming back a week later, An still remembers Kohane and performs for her, also inviting the girl to sing. ![]() Though captivated by their singing, she runs away out of shyness when confronted by An. BOB HARRIS has been hooked on movies since he was 13 when his brother got a job in a multi-plex and Bob saw all the movies he wanted for free.Azusawa Kohane gets lost in the streets while trying to purchase a CD for her mom, stumbling upon Shiraishi An and her fellow musicians performing inside Weekend Garage's backstage area.Without a doubt, “Hot Fuzz” is not only one of the funniest movies you’ll see this year, it may also be the best action film of the year. This is a knowing comedy that manages to skewer the action genre while also clearly giving it a lot of love. “Hot Fuzz” is a film unique unto itself delivered to you by the same writer-director, much of the cast and, for all I know, the same crew as the equally gut-busting funny, “Shaun of the Dead.” Not to mention that this movie’s look is equal to, if not better, than of many modern action films. Instead of a series of jokes strung together to make an acceptable running time, there is a real story being told. It’s as if they have no idea they are in a comedy, which, of course, is one of the many reasons why “Hot Fuzz” works so well as both parody and action film. In other words, he’s a thousand clichés who, thanks to the agility of the filmmakers, never becomes a one-note joke.Īll of this is hysterically funny as the cast goes about its work in a serious way. He’s the bull-headed cop who doesn’t know when to stop. He’s the fish-out-of-water cop come to town to set things right. He is a highly efficient law-enforcement machine out to solve the crime that no one believes has occurred. Nicolas Angel is cut from the same celluloid of a thousand hard-boiled, loner cops like Dirty Harry. ![]() We know these aren’t accidents as a Shrouded Figure has been roaming around town, beheading a variety of Sandford citizens.Įssentially, “Hot Fuzz” is an action movie like “Bad Boys II” or “Beverly Hills Cop” transposed, almost literally, into a quaint, quiet English village, which is where its many laughs are derived. Soon a series of “accidents” sets off Nicolas’ natural cop inclinations. Nicolas is partnered with the affable Danny Butterman (Nick Frost), who is an action-movie freak, but is not very learned in the ways of a real cop. So, it’s off to Sandford, where police work consists of chasing runaway swans and every violent death is written off as an “accident.” Nicolas Angel (Simon Pegg) is a hot-shot London cop banished to the sleepy village of Sandford because his high-testosterone super-cop methods overshadowed and embarrassed the rest of the force.Īs noted by his superiors, Nicolas is far too efficient to remain in London because his productivity is 400% higher than the rest of the force. That you have to squint to notice any difference between the two is to the fault of those movies and the credit of this one. “Hot Fuzz” is a deadpan caricature of the over-amplified, high-throttle, cop-action movies produced by, among others, Jerry Bruckheimer.ĭirected by Edgar Wright, who co-wrote the script with star Simon Pegg, this new action-satire film merrily wreaks screen havoc as well, if not better, than most Bruckheimer productions.
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